Inspired by the intricate truss systems and cross-beam construction of Balinese temples, the Rain Chandelier approximates that architectural style in an open steel-framework form. Referring to the rain forest, the hand-blown crystal pendants appear, like raindrops, to have been captured in the moment of falling through the canopy. The piece itself acts as a room within a room, enveloping all who sit beneath it with a spectacular view of the shimmering and reflective crystal drops above. They are held in permanent suspension and tension, just like raindrops themselves.

Inspired by the intricate truss systems and cross-beam construction of Balinese temples, the Rain Chandelier approximates that architectural style in an open steel-framework form. Referring to the rain forest, the hand-blown crystal pendants appear, like raindrops, to have been captured in the moment of falling through the canopy. The piece itself acts as a room within a room, enveloping all who sit beneath it with a spectacular view of the shimmering and reflective crystal drops above. They are held in permanent suspension and tension, just like raindrops themselves.

Inspired by the intricate truss systems and cross-beam construction of Balinese temples, the Rain Chandelier approximates that architectural style in an open steel-framework form. Referring to the rain forest, the hand-blown crystal pendants appear, like raindrops, to have been captured in the moment of falling through the canopy. The piece itself acts as a room within a room, enveloping all who sit beneath it with a spectacular view of the shimmering and reflective crystal drops above. They are held in permanent suspension and tension, just like raindrops themselves.

Inspired by the intricate truss systems and cross-beam construction of Balinese temples, the Rain Chandelier approximates that architectural style in an open steel-framework form. Referring to the rain forest, the hand-blown crystal pendants appear, like raindrops, to have been captured in the moment of falling through the canopy. The piece itself acts as a room within a room, enveloping all who sit beneath it with a spectacular view of the shimmering and reflective crystal drops above. They are held in permanent suspension and tension, just like raindrops themselves.

Inspired by the intricate truss systems and cross-beam construction of Balinese temples, the Rain Chandelier approximates that architectural style in an open steel-framework form. Referring to the rain forest, the hand-blown crystal pendants appear, like raindrops, to have been captured in the moment of falling through the canopy. The piece itself acts as a room within a room, enveloping all who sit beneath it with a spectacular view of the shimmering and reflective crystal drops above. They are held in permanent suspension and tension, just like raindrops themselves.

Inspired by the intricate truss systems and cross-beam construction of Balinese temples, the Rain Chandelier approximates that architectural style in an open steel-framework form. Referring to the rain forest, the hand-blown crystal pendants appear, like raindrops, to have been captured in the moment of falling through the canopy. The piece itself acts as a room within a room, enveloping all who sit beneath it with a spectacular view of the shimmering and reflective crystal drops above. They are held in permanent suspension and tension, just like raindrops themselves.

Inspired by the intricate truss systems and cross-beam construction of Balinese temples, the Rain Chandelier approximates that architectural style in an open steel-framework form. Referring to the rain forest, the hand-blown crystal pendants appear, like raindrops, to have been captured in the moment of falling through the canopy. The piece itself acts as a room within a room, enveloping all who sit beneath it with a spectacular view of the shimmering and reflective crystal drops above. They are held in permanent suspension and tension, just like raindrops themselves.

Inspired by the intricate truss systems and cross-beam construction of Balinese temples, the Rain Chandelier approximates that architectural style in an open steel-framework form. Referring to the rain forest, the hand-blown crystal pendants appear, like raindrops, to have been captured in the moment of falling through the canopy. The piece itself acts as a room within a room, enveloping all who sit beneath it with a spectacular view of the shimmering and reflective crystal drops above. They are held in permanent suspension and tension, just like raindrops themselves.

Inspired by the intricate truss systems and cross-beam construction of Balinese temples, the Rain Chandelier approximates that architectural style in an open steel-framework form. Referring to the rain forest, the hand-blown crystal pendants appear, like raindrops, to have been captured in the moment of falling through the canopy. The piece itself acts as a room within a room, enveloping all who sit beneath it with a spectacular view of the shimmering and reflective crystal drops above. They are held in permanent suspension and tension, just like raindrops themselves.

Inspired by the intricate truss systems and cross-beam construction of Balinese temples, the Rain Chandelier approximates that architectural style in an open steel-framework form. Referring to the rain forest, the hand-blown crystal pendants appear, like raindrops, to have been captured in the moment of falling through the canopy. The piece itself acts as a room within a room, enveloping all who sit beneath it with a spectacular view of the shimmering and reflective crystal drops above. They are held in permanent suspension and tension, just like raindrops themselves.

Inspired by the intricate truss systems and cross-beam construction of Balinese temples, the Rain Chandelier approximates that architectural style in an open steel-framework form. Referring to the rain forest, the hand-blown crystal pendants appear, like raindrops, to have been captured in the moment of falling through the canopy. The piece itself acts as a room within a room, enveloping all who sit beneath it with a spectacular view of the shimmering and reflective crystal drops above. They are held in permanent suspension and tension, just like raindrops themselves.

Inspired by the repetition of the window mullions seen throughout the house, Berger created this chandelier, whose structure is a three-dimensional interpretation of those patterns. During the day, the presence of the structure lends an architectural element to the room. At night, the lights float, creating a quiet, meditative constellation.

Inspired by the repetition of the window mullions seen throughout the house, Berger created this chandelier, whose structure is a three-dimensional interpretation of those patterns. During the day, the presence of the structure lends an architectural element to the room. At night, the lights float, creating a quiet, meditative constellation.

Comprised of 37 pendants suspended within the negative space of a spiral staircase, this commission is designed to be viewed both as a sculpture of cascading and floating light, hovering within the house from the entry of this mostly glass residence, and as a sparkling and dramatic fixture with a drop of more than 38 feet as one ascends and descends the stairs.

Comprised of 37 pendants suspended within the negative space of a spiral staircase, this commission is designed to be viewed both as a sculpture of cascading and floating light, hovering within the house from the entry of this mostly glass residence, and as a sparkling and dramatic fixture with a drop of more than 38 feet as one ascends and descends the stairs.

Comprised of 37 pendants suspended within the negative space of a spiral staircase, this commission is designed to be viewed both as a sculpture of cascading and floating light, hovering within the house from the entry of this mostly glass residence, and as a sparkling and dramatic fixture with a drop of more than 38 feet as one ascends and descends the stairs.

The Glass Slide Chandelier is a pure expression of Alison Berger's interest in creating new forms from found objects. She has been collecting glass slides (an early precursor to the film slide commonly in use today) for more than 20 years – with their ephemeral, ghostlike images, the slides tell a visual history of a collective past. The architectural structure of the chandelier – rendered in bronze – frames these images of the past: industrial, agricultural and architectural scenes from the first half of the 20th century, like a photographic light box.

The Glass Slide Chandelier is a pure expression of Alison Berger's interest in creating new forms from found objects. She has been collecting glass slides (an early precursor to the film slide commonly in use today) for more than 20 years – with their ephemeral, ghostlike images, the slides tell a visual history of a collective past. The architectural structure of the chandelier – rendered in bronze – frames these images of the past: industrial, agricultural and architectural scenes from the first half of the 20th century, like a photographic light box.

The Glass Slide Chandelier is a pure expression of Alison Berger's interest in creating new forms from found objects. She has been collecting glass slides (an early precursor to the film slide commonly in use today) for more than 20 years – with their ephemeral, ghostlike images, the slides tell a visual history of a collective past. The architectural structure of the chandelier – rendered in bronze – frames these images of the past: industrial, agricultural and architectural scenes from the first half of the 20th century, like a photographic light box.

The Glass Slide Chandelier is a pure expression of Alison Berger's interest in creating new forms from found objects. She has been collecting glass slides (an early precursor to the film slide commonly in use today) for more than 20 years – with their ephemeral, ghostlike images, the slides tell a visual history of a collective past. The architectural structure of the chandelier – rendered in bronze – frames these images of the past: industrial, agricultural and architectural scenes from the first half of the 20th century, like a photographic light box.

The Glass Slide Chandelier is a pure expression of Alison Berger's interest in creating new forms from found objects. She has been collecting glass slides (an early precursor to the film slide commonly in use today) for more than 20 years – with their ephemeral, ghostlike images, the slides tell a visual history of a collective past. The architectural structure of the chandelier – rendered in bronze – frames these images of the past: industrial, agricultural and architectural scenes from the first half of the 20th century, like a photographic light box.

With the Astrolabe, Alison explores her ongoing interest in creating contemporary forms from historical and scientific apparatuses. Inspired by a 16th-century handheld astrolabe device that was used to chart the stars along nautical pathways, the device is here reinterpreted in bronze and hand-etched sheet glass with optical lenses and blown up to a sculptural scale for a site-specific location.

With the Astrolabe, Alison explores her ongoing interest in creating contemporary forms from historical and scientific apparatuses. Inspired by a 16th-century handheld astrolabe device that was used to chart the stars along nautical pathways, the device is here reinterpreted in bronze and hand-etched sheet glass with optical lenses and blown up to a sculptural scale for a site-specific location.

With the Astrolabe, Alison explores her ongoing interest in creating contemporary forms from historical and scientific apparatuses. Inspired by a 16th-century handheld astrolabe device that was used to chart the stars along nautical pathways, the device is here reinterpreted in bronze and hand-etched sheet glass with optical lenses and blown up to a sculptural scale for a site-specific location.

With the Astrolabe, Alison explores her ongoing interest in creating contemporary forms from historical and scientific apparatuses. Inspired by a 16th-century handheld astrolabe device that was used to chart the stars along nautical pathways, the device is here reinterpreted in bronze and hand-etched sheet glass with optical lenses and blown up to a sculptural scale for a site-specific location.

With the Astrolabe, Alison explores her ongoing interest in creating contemporary forms from historical and scientific apparatuses. Inspired by a 16th-century handheld astrolabe device that was used to chart the stars along nautical pathways, the device is here reinterpreted in bronze and hand-etched sheet glass with optical lenses and blown up to a sculptural scale for a site-specific location.

With the Astrolabe, Alison explores her ongoing interest in creating contemporary forms from historical and scientific apparatuses. Inspired by a 16th-century handheld astrolabe device that was used to chart the stars along nautical pathways, the device is here reinterpreted in bronze and hand-etched sheet glass with optical lenses and blown up to a sculptural scale for a site-specific location.

With the Astrolabe, Alison explores her ongoing interest in creating contemporary forms from historical and scientific apparatuses. Inspired by a 16th-century handheld astrolabe device that was used to chart the stars along nautical pathways, the device is here reinterpreted in bronze and hand-etched sheet glass with optical lenses and blown up to a sculptural scale for a site-specific location.

With the Astrolabe, Alison explores her ongoing interest in creating contemporary forms from historical and scientific apparatuses. Inspired by a 16th-century handheld astrolabe device that was used to chart the stars along nautical pathways, the device is here reinterpreted in bronze and hand-etched sheet glass with optical lenses and blown up to a sculptural scale for a site-specific location.